The Female of the
Species & Other Terror Tales
By Richard Davis
("Writers from the Shadows #1")
Shadow Publishing 2012
Paperback 240 pages, £7.99
ISBN: 978-0-9539032-4-5
Cover Artwork by Caroline O'Neal
Richard Davis, who died in 2005, was always far better known
as an editor than as a writer, with The
Year’s Best Horror Stories, Tandem
Horror, Space, Spectre and the Armada Sci-Fi series,
not to mention his work on television with the BBC’s Late Night Horror and Out of
the Unknown. But he was also an extremely good writer, as this collection
shows. All the stories here were previously published in anthologies from the
60s and 70s, such as the Fourth and Sixth Pan Books of Horror, The Ghost Book, New Writings in Horror and the Supernatural, No Such Thing as a Vampire, and The
Jon Pertwee Book of Monsters, which contains Richard’s last story in 1978, The Nondescript. The collection is
rounded off with an introduction by David A. Sutton, an article that Richard
wrote (What We Were Looking for in Horror),
an interview originally published in 1969 in the literary fanzine Shadow, a further article by Richard (Horror in Fiction) and a bibliography.
These constitute all of Richard Davis’s stories, and
illustrate the versatility of his subject matter and the easy style of his
writing, which reminds me very much of R. Chetwynd-Hayes without the (often
unwanted) humour. The title piece, The
Female of the Species, is written as a journal, detailing the protagonist’s
increasing fears about his sinister wife, both before and after her death. It’s
a chilling story that grows increasingly tenser, involving love, death, and
witchcraft. Elsie and Agnes is a
straight forward ghost story, though with more than one twist, and involving
one of Richard’s recurring themes of a loveless, wasted life. A Day Out is another ghost story, full
of the joys of a 1960s seaside resort but with a final dénouement that may not
come as a total surprise but is nonetheless shocking. The sadness of a wasted
life is again the central theme of The
Lady by the Stream. Elizabeth
is the harried minder for her over demanding wheelchair-bound mother. Never
having had the chance to marry and have a family of her own, she finds fleeting
warmth from the friendship of a ten year old boy she meets by a stream,
fishing. The inability of other people to let this innocent relationship endure,
though, results in an appalling climax, perhaps the most violent and chilling
in this collection. The Inmate is a
tale of bestiality in the truest meaning of the word. I found it to be the
weakest, least convincing story, though it is well written, with Richard’s
customary skills at characterisation. In A
Nice Cut off the Joint Helen Bentley, a surgeon, finds that doing a native
chief a favour in saving his life results in a Voodoo curse, presumably from a
local witchdoctor put out by her skills, and the growth of a dangerous, all
demanding appetite for fresh meat. Guy
Fawkes Night, Richard’s earliest story, originally appeared in the Fourth Pan Book of Horror Stories. A period piece that starts in
the 1920s it tells in retrospect what happened one fateful Guy Fawkes Night
when the father of the protagonist’s friend disappears. Nearly everyone
believed he ran away with his mistress, but thirty years later the horrific
truth comes out. In The Sick Room
Richard returns to the supernatural with a boarding house with a bedroom that
may have an evil spirit. A man decorating has already slipped and broken his
back for no apparent reason. Everyone who stays there either dies or murders
whoever they’re with. A dark, grittily told story. The Clump is set on a small Caribbean
island. The clump in question is the local name for a small wood. This one,
though, has a sinister reputation. Unfortunately, the young boy who wanders in
to explore it when the cruise ship he is on stops by doesn’t know this at the
time. Nor does his father, who is more concerned over his plans to poison his
wife. The description of the entity that haunts the wood reminds me of the kind
of thing depicted in much more recent Japanese horror films. The Nondescript is a nineteenth century
artefact made of a fish tail and the shaved torso of a monkey, cleverly joined
to look like a grotesque creature. Young Bob finds one in the family attic in a
glass case. Shortly he comes across another, better preserved, under a large
rock close to a local pond. Unlike the first this may not be an artefact at
all, as his father finds out when he discovers what happened at a ruined
mansion whose owner, a collector of curiosities, died many years ago under
suspicious circumstances. This is a rollicking tale, with some great
descriptions of the Nondescript and a fittingly action-packed climax.
As Dave Sutton remarks in his introduction these stories are
firmly set in the era in which they were written. To me that only adds to their
charm. It’s a shame Richard Davis did not write more, but at least, thanks to
Shadow Publishing, what there are have been collected together and made
available.