This is my retro review of Dark Crusade, which was published in the Karl Edward Wagner Phantasmagoria Special.
DARK
CRUSADE by Karl Edward Wagner
In
Dark Crusade we see Karl Edward Wagner’s immortal antihero Kane at his
finest – and most evil: honourable by his own idiosyncratic standards, yet
capable of carrying out the worst deeds imaginable, heroic yet villainous,
courageous yet cruel, indifferent to the suffering of others yet able to reach
out and help the most vulnerable on a whim. He is without doubt the most enigmatic
character in heroic fantasy.
The
novel starts when Orted, the defeated leader of an outlaw band, is on the run
after a bungled raid on the city of Ingoldi. Badly wounded, he is fleeing through
the labyrinthine alleys of the city when he is offered refuge by a priest of the
obscure and unsavoury god Sataki. Though suspicious, Orted is too desperate to
quibble. When he follows the priest into his temple, though, he is clubbed
senseless and awakens to find himself spread-eagled on a stone altar, about to
be sacrificed. Which is when things take an unexpected twist. Perhaps because
he is stronger than most of those previously offered by the cult’s priests,
instead of being drained of life by Sataki, Orted is filled with some of the god’s
spirit. Which is how the outlaw becomes Sataki’s Prophet, a man without a
shadow.
The
following day, led by Orted, the priests go out into the city to recruit
followers at a local market, where most of the crowd are seduced by the demon’s
spirit inside Orted and become consumed with hatred for those who refuse their
new god. And so begins the Dark Crusade, in which religious fanatics slaughter
their enemies, sacking city after city and massacring anyone who fails to
follow Sataki.
That
is, until this ragtag army meets its first defeat when it comes up against one
of the finest armies in the region, whose heavy cavalry turn its advance into a
panic-filled rout.
Which
is where, ever the opportunist, Kane comes in.
The
Immortal Swordsman uses the Prophet’s defeat to offer his skills to him as a
general to train the mob into the semblance of a real army, at the same time
using Orted’s plundered wealth to hire mercenary cavalrymen who will be loyal
to him, not the cult. Kane cynically intends to use what the Prophet has
created to carve out an empire before assassinating Orted and taking everything
for himself.
Or
so he hopes.
As
a foil to Kane, we have the general Jarvo, who begins the story as the arrogant
leader of the cavalry that defeats Orted’s mob. Already hideously scarred by
Kane after he tried to have the swordsman removed as a rival to power when they
were members of the same army, he is unexpectedly defeated when he again
attacks the Prophet’s army, unaware of the changes Kane has made in the
meantime - or the mercenary cavalry Kane has recruited. But Jarvo proves difficult
to kill and miraculously, if painfully, begins to recover from the injuries he
sustains at the battle. Afterwards he helps to forge a new alliance amongst
neighbouring kingdoms to oppose the Crusade.
This
is an involved story, with intricately woven power struggles in a barbaric
world. Kane treads the chasm between hero and villain superbly well. Though he
is thoroughly amoral there is, bizarrely, something almost heroically noble
about him. Orted’s possession by the demon Sataki is credibly described, still
a man beneath the alterations wrought upon him. And his crusade, though filled
with fanatical violence, is credibly disparate, filled with the kinds of greed
and opportunism that are all too easily recognisable.
Though
set within a fantasy world, this is a book that has whispers of the real world
in it – and lessons about the ongoing dangers of religious zealots. It is also
incredibly well written and a great read.
Phantasmagoria - Karl Edward Wagner Special