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Showing posts with label The Horror Review. Show all posts
Showing posts with label The Horror Review. Show all posts
Thursday, 3 August 2017
Adrian Cole's Tough Guys Reviewed on the Horror Review website
Adrian Cole's Tough Guys gets a favourable review by Brian J. Lewis on The Horror Review website.
"Do you like adventure stories with a supernatural twist? Then Tough Guys by Adrian Cole might be exactly what you’re after. Cole gives us four stories to enjoy in this volume that show us four very different types of tough guy."
Click onto the link above to read the full review.
Thursday, 21 January 2016
Their Cramped Dark World assessed on The Horror Review
Their Cramped Dark World received a glowing assessment on The Horror Review.
Their Cramped Dark World & Other Tales
David A. Riley
Parallel Universe Publications
April 13, 2015
Reviewed by Chris Saunders
David A. Riley has been around a long time. The oldest stories in this, his third collection, were first published in the early seventies. Not that you would know it just by reading them. For the most part, stories over forty years old slot in seamlessly with comparatively new ones, each benefiting from the same quintessentially English feel and underlying creepiness.
“Hoody” kicks things off, the beguiling tale of a man being haunted by the ghost of a murder victim. Or is he?
This is followed by my favourite story in this collection, which first appeared in the near-legendary small press title Peeping Tom back in 1996. “No Sense in Being Hungry, she Thought,” is about some alarmingly rough justice being administered to a serial rapist; while yet another stand-out is “Now and Forever More,” about a couple who find themselves in a very strange little town buried deep in the English countryside. The tale is reminiscent of The Wicker Man (the original 1973 Edward Woodward version, not the sub-standard 2006 Nicholas Cage effort, though the plot is essentially the same) but somehow manages to be even creepier.
“Romero’s Children,” as the title suggests, is a homage to classic zombie movies, while “Swan Song” is an unsettling little yarn about a trio of aging bullies who get more than they bargained for when trying to avenge a perceived sleight.
As is the norm with most single-author collections, Their Cramped Dark World & Other Tales is a little uneven in places, and some stories have stood the test of time better than others but all in all, this is a rocking good read.
Hat’s off, Mr Riley.
Their Cramped Dark World & Other Tales – Book Review
Their Cramped Dark World & Other Tales
David A. Riley
Parallel Universe Publications
April 13, 2015
Reviewed by Chris Saunders
David A. Riley has been around a long time. The oldest stories in this, his third collection, were first published in the early seventies. Not that you would know it just by reading them. For the most part, stories over forty years old slot in seamlessly with comparatively new ones, each benefiting from the same quintessentially English feel and underlying creepiness.
“Hoody” kicks things off, the beguiling tale of a man being haunted by the ghost of a murder victim. Or is he?
This is followed by my favourite story in this collection, which first appeared in the near-legendary small press title Peeping Tom back in 1996. “No Sense in Being Hungry, she Thought,” is about some alarmingly rough justice being administered to a serial rapist; while yet another stand-out is “Now and Forever More,” about a couple who find themselves in a very strange little town buried deep in the English countryside. The tale is reminiscent of The Wicker Man (the original 1973 Edward Woodward version, not the sub-standard 2006 Nicholas Cage effort, though the plot is essentially the same) but somehow manages to be even creepier.
“Romero’s Children,” as the title suggests, is a homage to classic zombie movies, while “Swan Song” is an unsettling little yarn about a trio of aging bullies who get more than they bargained for when trying to avenge a perceived sleight.
As is the norm with most single-author collections, Their Cramped Dark World & Other Tales is a little uneven in places, and some stories have stood the test of time better than others but all in all, this is a rocking good read.
Hat’s off, Mr Riley.
The Horror Review on Moloch's Children
A great review that I missed when it first came out on The Horror Review (and soon to be reprinted in Dark Discoveries magazine):
Reviewed by Stuart Conover
What can I say aside from David A. Riley’s Moloch’s Children short of the fact that if you love the idea of a haunted house, a writer with an overactive imagination, Satanists, and so much more – you will love this book! Honestly even though it took place in more modern times it felt like a throwback to the slow build suspense work and the strong hints of Satanism that were both quite popular in the 60’s and 70’s. Riley knows not only how to strikingly set the mood but build upon that foundation to have an entire story weaved together which will keep you wondering what will happen next.
The main focus on the novel is the Elm Tree House which has a long and sordid history. Or should I say that the grounds it stands on do and it has acquired it by association. That hasn’t stopped Oliver Atcheson who is recovering from the loss of his wife to purchase the property. His dream for it is to create an artist’s colony there and with the steal he purchased the mansion at it seems like a dream that will easily be made a reality. That is of course until the repair bills start piling up as well as what the locals think about the place.
We also get to learn about others who are both interested in Oliver’s project or have become associated with him. Of course anyone who knows anything about the house seems to be holding some of the information back and we have plenty to discover as the pages turn.
They’ll be turning quickly too because for everything question that is answered, two more pop up. In a move where the suspense constantly builds as well there is no way to put the book down until you get to the bitter end.
In some ways I was reminded of Ti West’s film The House of the Devil though there really is no direct comparison between the stories. Still, much of the way I felt the mood and descriptions worked here really seemed to apply to both the film and novel.
Reviewed by Stuart Conover
What can I say aside from David A. Riley’s Moloch’s Children short of the fact that if you love the idea of a haunted house, a writer with an overactive imagination, Satanists, and so much more – you will love this book! Honestly even though it took place in more modern times it felt like a throwback to the slow build suspense work and the strong hints of Satanism that were both quite popular in the 60’s and 70’s. Riley knows not only how to strikingly set the mood but build upon that foundation to have an entire story weaved together which will keep you wondering what will happen next.
The main focus on the novel is the Elm Tree House which has a long and sordid history. Or should I say that the grounds it stands on do and it has acquired it by association. That hasn’t stopped Oliver Atcheson who is recovering from the loss of his wife to purchase the property. His dream for it is to create an artist’s colony there and with the steal he purchased the mansion at it seems like a dream that will easily be made a reality. That is of course until the repair bills start piling up as well as what the locals think about the place.
We also get to learn about others who are both interested in Oliver’s project or have become associated with him. Of course anyone who knows anything about the house seems to be holding some of the information back and we have plenty to discover as the pages turn.
They’ll be turning quickly too because for everything question that is answered, two more pop up. In a move where the suspense constantly builds as well there is no way to put the book down until you get to the bitter end.
In some ways I was reminded of Ti West’s film The House of the Devil though there really is no direct comparison between the stories. Still, much of the way I felt the mood and descriptions worked here really seemed to apply to both the film and novel.
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