Tuesday, 25 August 2020

Grudge End Cloggers published in Scare Me from Esskaye Books



My story Grudge End Cloggers appears this month in the anthology Scare Me, edited by M. Leon Smith for Esskaye Books.

Scare Me contains twelve terrifying slices of cold, dark fiction.

Produced by Esskaye Books and some of the best new and established writers.

Prepare to face true fear...
Featuring  
Tylor James
Jarred Martin
Rob Francis
Laura DeHaan
Chris Kuriata
David A. Riley
Dee Caples
Stephen McQuiggan
Holley Cornetto
James Dorr
Alex Ebenstein
Trisha McKee

Tuesday, 11 August 2020

Swords & Sorceries: Tales of Heroic Fantasy

Artwork: Jim Pitts
Parallel Universe Publications will be starting a new series of anthologies in the coming months called Swords & Sorceries: Tales of Heroic Fantasy. It is hoped we will be able to publish this either annually or half-yearly depending upon how well it sells.

PUP will be announcing further details shortly.

Monday, 3 August 2020

Inside the Labyrinth to be published in Lovecraftiana magazine

I am pleased to reveal that my story Inside the Labyrinth, which was first published in John Pelan's anthology Alone on the Darkside (Roc Books, 2008) will be in the Lammas issue of Lovecraftiana magazine next year.

I like Lovecraftiana magazine and am giving it as much support as I can. I had a story in their last issue (Lurkers) and have three lined up: The Shadow by the Altar in their Halloween issue, Boat Trip in their Candlemas issue, and finally Inside the Labyrinth (see above) in their Lammas issue next year.

Sunday, 2 August 2020

My Lovecraftian horror novel The Return reviewed on Big Hits Radio by Trevor Kennedy

  
"Please join me this Sunday (2nd August) at 12 noon on www.bighitsradio.uk for this weekend's edition of SUNDAY SERVICE.
Along with all the usual top music, lively chatter, regular features and listeners requests/dedications, I'll also be taking an in-depth look at the gritty horror novel THE RETURN by David A. Riley.
Only on BIG HITS RADIO UK! "  Trevor Kennedy

For anyone who missed the broadcast, this is a transcript of the review, which originally appeared in Phantasmagoria magazine:  


"To paraphrase Shakespeare, there is something rotten in the Northern English town of Edgebottom, especially within the district of the appropriately named Grudge End. The ground there is sour, cursed for centuries perhaps. The powerful Malleson family have owned the now derelict mill at the epicentre of the area for decades, a family with some twisted secrets of their own. Over the years, countless horrors have occurred in Grudge End; brutal ritualistic murders, whole families massacred with their heads removed, and many others driven to insanity and suicide by the catalogue of ghastly events there.
Gary Morgan is a man with a rather shady past, to say the least. He grew up in Grudge End and when he was a teenager his drunken brute of a father was viciously butchered in what was believed by many locals to be an occult-related murder. Although having moved away from the area for quite some time, Gary’s own life has been shrouded with criminal connections and several failed marriages. He decides to return to his home town for one last time before the streets and mills where he spent his youth are pulled down for good. And to escape the clutches of some quite nasty London-based gangsters as well.
On his return, Gary bumps into an old school friend of his, Kevin Cross, whose increasingly manic paranoia surrounding ‘something’ in town is just the tip of the very dark iceberg of what is to follow. When Kevin has his arm savagely hacked off by a mysterious assailant, a series of events begin to unravel, all connected to Gary, the vile Malleson family, and the deep, ancient secrets of Edgebottom. As the bodies begin to mount up and the baffled police close in, something very Old is awakening from a long slumber…
Bloody hell, it really is grim up north! And down south in London too, it appears. Author David A. Riley presents us with an extremely violent, bleak, fantastically weaved tale that could perhaps best be described as H.P. Lovecraft meets the Kray twins via the kitchen sink British realism films of the late 1950s/early ‘60s. It is gloriously dark in Edgebottom, literally and figuratively, from the highly sinister occult goings on, to the East End gangsters out for their pound of flesh. Even the weather here is persistently miserable, with its torrential rain, bitter coldness and overcast skies.
Riley’s story is expertly created throughout, with the narrative point-of-view seamlessly switching between the main protagonist, the investigating police detectives, the gangsters, and so on. The building tension and mystery surrounding the town is both gripping and morbidly fascinating. When the real horror kicks in around the second half of the book, the appearance of the satyr-esque being is indeed a sight to behold. A truly terrifying, seemingly unstoppable creation of pure unadulterated evil.
There are the aforementioned homages to Lovecraft, more so towards the end, however these slide in perfectly to the rest of Riley’s tale, one that would still stand strong on its own even without the Lovecraftian influences.
A definite recommendation for fans of grim horror and HPL alike."

Many thanks, Trevor, for that great review!

      

Saturday, 1 August 2020

The Color Out of Space - the movie

I suppose I should say something about the blu-ray copy of The Colour Out of Space starring Nicolas Cage that I said I had ordered a few days ago.
As an adaptation of a Lovecraft story it wasn't the worst I have ever seen (The Dunwich Horror from 1970 starring Sandra Dee and Dean Stockwell still holds that dubious trophy). But apart from its opening sequences where the narrator actually quotes some lines from Lovecraft, describing the country west of Arkham, etc., there is very little that could be described as Lovecraftian in the film, and whoever wrote the screenplay missed umpteen opportunities to use scenes from the story to great effect, instead, as usual, going their own way with their own narrative.
The farm in the film struck me immediately as wrong, It wasn't so much a farm as a mansion. And why the lamas? Instead of a long established farmstead with local people, we had out of towners who were trying to get away from the rat race, a cliche that's getting staler by the film. Okay, so the farm once belonged to the main character's father, but none of the rest of his family were anything but townies who hated being where they now were from the very beginning, even before the meterorite crashed onto their land and things start to go strange. Unfortunately, even when this happens, I was given the impression that whoever wrote the screenplay didn't really know what to do with the story, interposing some rather naff horror scenes, like someone "accidentally" chopping off some of their fingers while preparing a meal! And then spending only one night in hospital where, we are told, surgery went well!
Not much tension, not much character empathy either, with the usual "rebellious" teenage daughter. A missed opportunity, so much so that, unlike the earlier version starring Boris Karloff (Die, Monster, Die!) I doubt I will feel inclined to watch it again. 



Signed copy of new Rebus novel by Ian Rankin pre-ordered

Just pre-ordered the next Ian Rankin Rebus novel, A Song for the Dark Times, from Waterstones.

I already have quite a substantial collection of his novels, including virtually every Rebus novel.

Friday, 31 July 2020

My Lovecraftian horror novel The Return to be reviewed on Big Hits Radio on Sunday

"Please join me this Sunday (2nd August) at 12 noon on www.bighitsradio.uk for this weekend's edition of SUNDAY SERVICE.
Along with all the usual top music, lively chatter, regular features and listeners requests/dedications, I'll also be taking an in-depth look at the gritty horror novel THE RETURN by David A. Riley.
Only on BIG HITS RADIO UK! "  Trevor Kennedy



Thursday, 30 July 2020

Phantasmagoria #16 - sneak look at the cover

Phantasmagoria #16 will be published shortly with a startling cover by artist Randy Broecker..

More information soon, although I know I have a story in it (Hanuman), a poem called He Thought He Was Dying, and two book reviews: S. T. Joshi's The Assaults of Chaos, and Paul Tremblay's Survivor Song

Latest Dennis Wheatley Acquisition: Star of Ill-Omen

I just got my latest Dennis Wheatley hardback. This was published in 1952: Star of Ill-Omen, one of his few science fiction novels.

This is my 24th Dennis Wheatley hardback.



Wednesday, 29 July 2020

Illustrated collection of short stories

I intend to bring out a collection of several of my short stories in hardback next year, each of which will be illustrated by my good friend Jim Pitts. Here are some of Jim's illustrations so far, some of which have already been published in the past and some of which will be brand new to this collection.

The stories will be:
Three Eyed Jack
The Fragile Mask on his Face
Terror on the Moors
The Shade of Apollyon
Writer's Cramp
Fish Eye
Boat Trip
Prickly
After Nightfall
The Fragile Mssk on his Face

After Nightfall

Fish Eye

The Shade of Apollyon

Writer's Cramp

Three Eyed Jack

Terror on the Moors

Terror on the Moors

The Shade of Apollyon
Writer's Cramp

Reviews coming up in next issue of Phantasmagoria

I now have two book reviews coming up in the next issue of Phantasmagoria: The Assaults of Chaos by S. T. Joshi and Survivor Song by Paul Tremblay.
I'll post both of them on my blog as soon as the magazine has been published.
Also incluided in the next issue is my hitherto unpublished story Hanuman (reincarnation, Kali, and Thuggees in India) and a poem, He Thought He Was Dying (see below). 

Sunday, 19 July 2020

Poem - He Thought He Was Dying


He thought he was dying.
That, at least, is all he can remember
Before everything went black.
He must have passed out,
Though he is awake again now.
Sort of. In an odd sort of way.
He feels strange.
Not frightened.
Not worried either.
Not worried at all.
All the worries he used to have
Are gone, completely.
He can’t even remember
What he’d ever had to worry about.
Nor does he feel any pain.
Only his thoughts feel muddy.
Which isn’t good.
They are blurred
As if he’s had a massive anaesthetic
That has numbed his body - and his brain.
Not that it bothers him.
Nothing bothers him anymore.
Apart from feeling hungry.
That is starting to take over.
A deep-rooted hunger that spreads from his bowels.
He has never felt so hungry in his life,
Though he is beginning to remember less of that life
Each passing second.
It has blurred into a mist which nothing
He can do can penetrate.
Not that the hunger in his stomach
Gives him time for that now.
With a lurch he moves.
Something wet and sloppy slaps against his knees.
He looks down and sees ropes of what look like guts.
His guts, he supposes,
Not even surprised by the realisation,
A realisation which barely registers
Before he has forgotten it as he staggers forward.
Then slips on his own greasy innards,
Falling flat on his back.
His head hits the ground with a sickening crack.

“Bloody hell!” Pete sits up in bed,
And all the tubes attached to the needles in his arms
Tug painfully.
He looks around the empty ward,
Feeling a surge of relief sweep through him.
His heart is still pounding as if he’s run a marathon.
He looks up at the monitors next to his bed
And is surprised they aren’t beeping like crazy.
Still catching his breath,
He lies back on his pillow too frightened to close his eyes
In case he falls asleep.
That was a nightmare he doesn’t want to have again.
But he does.

Synapses feebly crackle with electrical charges
Somewhere deep inside his brain.

His hands flounder across the floor
Till they are firmly placed.
He pushes himself up
And struggles to his feet,
Wobbling like a puppet in the hands of a drunk.
But he manages it.
Leaning against a wall he gazes around.
It is hard to focus.
His sight is blurry.
Most of what he sees are just movements.
Everything else is a series of vague shapes.
Some instinct, though, makes certain movements
More interesting.
If they are slow or disjointed, like his own,
He ignores them.
If they are fast or determined
He feels a compulsion to stagger nearer.
Something about them makes him aware
Of food.
He needs that.
The ache inside his bowels will not be ignored.
Only food can appease it.
All day he roams aimlessly,
Rarely brought to a semblance of awareness
By something catching his attention,
Either by sight or by sound.
But daylight passes, and night makes everything dark again,
And the blurs he can see merge with it.
Then he stops
And falls into a kind of sleep.

Pete awakes with a start,
Panicking at the nightmare that has returned yet again.
Gasping for breath, he raises his head
And looks around the ward,
Still worryingly empty.
He hasn’t seen a nurse for as long as he can remember.
He desperately needs something to drink;
His mouth tastes as if it is filled with dried-up clay.
He is hungry too.
Why has no one brought him anything to eat?
What kind of hospital is this?
Annoyed and worried, he struggles to sit up and shouts,
“Nurse!”
His voice cracks at the effort,
And he slumps onto his pillow again, exhausted.
“Nurse!”
It is all too much.
He closes his eyes.

It is daylight again when he climbs to his feet.
A couple of his fingers have been damaged,
Though he does not remember how or when.
They fall off when he moves his arms.
But that doesn’t bother him.
Nothing does.
Except his hunger.
He lurches forward; aware that someone is moving
In front of him.
Whoever it is grows steadily clearer,
A shadow amongst shadows.
It is only when the figure is within reach
Of his outstretched fingers,
That he sees the man raise his arm into the air.
In some barely cognizant part of his mind,
He recognises an axe.
The sharp curve of its edge glints in the sunlight
As it falls towards him.

Pete groans.
He knows he is dying, though he does not know why.
His head hurts and what little there is left
Of his memories are starting to dissipate.
When the darkness comes,
And his dream disappears into nothingness,
He isn’t even aware of the change.

The creature flops to the ground, its head split open.
For one moment the man who has killed it
Is sure it tries to speak through ravaged lips,
Something about a hospital.
But he must be wrong, he tells himself.
These things can’t talk.
Then wipes his axe on the creature’s back
And scans the street,
Hoping he’s seen the last of them today. 


This poem will be published in Phantasmagoria #16