This weekend two great reviews were published on the British Fantasy Society website for books I am directly involved with, one as the author, the other as co-editor.
Matthew Johns reviewed my Lovecraftian horror novel The Return, ending with:
"Riley’s tales of the weird and evil are
always fantastically well written – truly gripping yarns that keep the
reader engaged and enthralled throughout. At times gruesome, filled
with superb detail, witty dialogue and believable characters, The Return
is a classic work of horror that deserves a place on your bookshelf."
Click here for the full review.
Dave Brzeski wrote a very detailed, excellent review of Kitchen Sink Gothic, edited by me and my wife Linden, with the closing summary:
"...on the whole this is a solid collection of stories with no absolute duds."
"...this is Kitchen Sink Gothic—like Kitchen
Sink Drama, only scarier. What’s not to like? No haunted mansions here;
no bloodsucking counts. No, the horror here is targeted just where it
tends to be in real life, at ordinary people who don’t have enough money
to protect themselves—indeed some of the horrors in these stories are
quite mundane in origin, but certainly no less terrifying for that."
For Mr Brzeski's full review click here.
Pages
- News, Views, Reviews and Stuff
- Published Stories
- My Novels
- The Collected SF, Fantasy & Horror Stories of David A. Riley
- Welgar the Cursed - Sword and Sorcery collection
- Collection - The Lurkers in the Abyss and Other Tales of Terror
- Collection - Their Cramped Dark World and Other Tales
- Collection - His Own Mad Demons: Dark Tales from David A. Riley
- My Book Reviews
- Beyond and Prism
- Interviews
- Audio Stories
Showing posts with label British Fantasy Society. Show all posts
Showing posts with label British Fantasy Society. Show all posts
Sunday, 30 December 2018
Tuesday, 9 October 2018
Great review for Moloch's Children on BFS website
There was a great review for my horror novel, Moloch's Children, on the BFS website by Ian Hunter.
"This is my kind of book, only 213 pages long with a prologue and epilogue and 36 chapters in between, evidence of how fast-paced a novel “Moloch’s Children” is; in a tale that reminded me of the works of Dennis Wheatley, Ramsay Campbell and Richard Matheson; although it’s not as “quiet” as these last two writers. In his short fiction, Riley has never been one to s
"This is my kind of book, only 213 pages long with a prologue and epilogue and 36 chapters in between, evidence of how fast-paced a novel “Moloch’s Children” is; in a tale that reminded me of the works of Dennis Wheatley, Ramsay Campbell and Richard Matheson; although it’s not as “quiet” as these last two writers. In his short fiction, Riley has never been one to s
Sunday, 24 September 2017
My involvement with the BFS
I was one of the first members of the British Fantasy Society when it was formed in the early 70s. My first official position was to be custodian of the Society's lending library of horror, fantasy and SF books, a post I held for several years till I passed it on to Keith Walker. I was also one of the organisers of the first Fantasycons, being programme organiser for the 1976 convention in Birmingham, when our guest of honour was Robert Aickman.
In 1974, together with Jim Pitts, I took over the editorship of the Society's Bulletin, which we transformed from a duplicated publication to lithograph.
I also did the covers for the 2nd and 3rd issues of Dark Horizons, the Society's journal, then edited by Rosemary Pardoe.
I also contributed stories to Dark Horizons.
In 2010 I again took up editing the Society's newsletter, now renamed for some reason Prism.
I also contributed a novelette to the society's 2008 trade paperback, edited by David A. Sutton, Houses on the Borderland, along with Allen Ashley, Samantha Lee, Simon Bestwick, Gary Fry, and Paul Finch.
In 1974, together with Jim Pitts, I took over the editorship of the Society's Bulletin, which we transformed from a duplicated publication to lithograph.
I also did the covers for the 2nd and 3rd issues of Dark Horizons, the Society's journal, then edited by Rosemary Pardoe.
In 2010 I again took up editing the Society's newsletter, now renamed for some reason Prism.
I also contributed a novelette to the society's 2008 trade paperback, edited by David A. Sutton, Houses on the Borderland, along with Allen Ashley, Samantha Lee, Simon Bestwick, Gary Fry, and Paul Finch.
Contrary to certain mischevous people who have been criticising my involvement with this year's convention (for the first time I'll be on a panel, discussing the small press), I have been an active member and supporter of the BFS ever since it began and done actual, solid, beneficial work for the society. I would love to see what their contribution to the Society has been.
Monday, 6 March 2017
A Great Review for Jessica Palmer's Other Visions of Heaven and Hell on the British Fantasy Society website
There's yet another great review for a PUP book on the British Fantasy Society website. This time it's the turn of Other Visions of Heaven and Hell by Jessica Palmer.
"With Parallel Universe Publications, readers always get their money’s worth as Jessica has over 20 short stories to interest the discerning horror reader. Some have been published in anthologies such as Last Laugh for Weirdbook #28, Cinderella Revisited, Weirdbook #29 and What the Dickens in Substance."
For the rest of the review follow this link.
"With Parallel Universe Publications, readers always get their money’s worth as Jessica has over 20 short stories to interest the discerning horror reader. Some have been published in anthologies such as Last Laugh for Weirdbook #28, Cinderella Revisited, Weirdbook #29 and What the Dickens in Substance."
For the rest of the review follow this link.
Saturday, 7 January 2017
Three great reviews for Parallel Universe books just posted on the British Fantasy Society website
Three PUP books were reviewed on the BFS website yesterday: Adrian Cole's Tough Guys, Richard (Mark Samuels) Staines' England 'B': Ninety Minutes of Hell, and Johnny Mains' A Little Light Screaming.
TOUGH GUYS by Adrian Cole. Parallel Universe Publications,
Lancashire, UK. £8.99 (UK), 194 page paperback. ISBN: 978-0-9935742-2-1
Reviewed by Pauline Morgan
Often, when an author produces a collection of stories, the majority of them have been published elsewhere either in magazines or anthologies alongside those of other authors. Tough Guys is unusual in two respects. First, the four pieces here – three novellas and one short story – are all previously unpublished; second, they are as different from each other as one might expect in an accumulation of unseen stories. The second is unusual as Cole’s previous collection was Nick Nightmare Investigates (Alchemy Press), where all the stories revolved around the same character and the world he inhabited. As a collection it worked extremely well as Cole won the BFS Award for the book.
Although called Tough Guys, there are some tough women here, too. The first story ‘Wait For The Ricochet’ is another about Nick Nightmare. Here we get an insight into some of his background. He gets a message to visit his old mentor, urgently. Zeff is a lifer in Sing Sing, a place where Nick did three years. Zeff is dying but he needs Nick to carry the information about the hiding place of a powerful artefact to the new keeper of the knowledge. Nick cannot refuse. The task might seem simple but there are others who want the information. One of them, Lucien de Sangreville, is aware that it will be easier the extract what he wants from Nick rather than the person it is intended for. The complication is that the person de Sangreville kidnaps to put pressure on Nick, is the one the information is intended for. Thus, Nick has to rescue him before he can complete his mission. He is aided by Ariadne Caradine, a wealthy woman who readers will recognise form previous Nick Nightmare stories. She elegant, charming and deadly, an ideal partner in this caper. The other important and familiar character is Oil-Gun Eddie. It is him, they need to rescue.
‘If You Don’t Eat Your Meat’ is science fiction blended with horror. At some time in the past the Virus decimated the population. In the countryside, winters are harsh and farmers and their families try to survive anyway they can. The rules the city people live by are often set aside. The narrator, Ryan Blackstone is a teenager in one such family on the edge of the moors. The Blackstones have had a feud with the Tregathick for many years, so when one of the cows goes missing, they are the first to be suspected. Ryan and Wayne, the youngest of his brothers are sent to check. Ryan sees the Tregathicks butchering the cow but is spotted. Chased through the snow drifts and desperate, Ryan kills Jed Tregathick. Since the Tregathicks are eating their cow, the Blackstones eat Jed. The feud escalates from there until Ryan flees to the city. This is not a pleasant story and even though there is some sympathy for Ryan, he does his best to alienate the reader.
Another character you can end up not liking is the narrator of ‘A Smell Of Burning’. The narrator wakes up immobilised in hospital. He cannot remember what happened, or why he is there. He discovers that he can leave his body and his astral projection is able to wander the hospital. Then he realises that he can tune into the thoughts of the other patients. For a while, this is enjoyable. Then he realises that there is a scary dark cloud also inhabiting the plane. He plucks up the courage to find the patient it is emanating from and tunes into the history of a very unpleasant pyromaniac.
The final story goes back to a Nick Nightmare kind of territory. ‘Not If You Want To Live’ also has the narrator waking up in an unexpected place when he thought he was dead. He is, but has been recruited as a Redeemer. As Razorjack his job is to return the soul to the body of a person who has just died so they can continue a productive life. He doesn’t know why these people are chosen – that’s another department. After initial training and a number of field missions, Razorjack is given a more complex task. A member of a group called the Adversaries are upsetting the balance. Razorjack has to trap one of them. He is sent back to live in the real world and await a call. A wealthy man, Silvio Fellini, will ask him to Redeem his wife who died from an overdose. Although Razorjack’s memories of his life up until his original death have been deeply buried, circumstances cause them begin to surface.
Adrian Cole is a skilled writer and all four of these pieces are excellently written. I would have liked the first to be longer, but the length is well judged for the other three. This is a book I can highly recommend.
ENGLAND “B” NINETY MINUTES OF HELL by Richard Staines, Parallel Universe Publications, p/b
Reviewed by Sandra Scholes
Forget what you remember about football back in the 70s, Richard Staines puts the record straight about how the England B team scored their goals. It certainly wasn’t through the team’s rigorous training and fitness regime – it was through black magic.
Parallel Universe Publications are fond of putting out story anthologies they think readers will enjoy as they are original and, at times funny. This one, like many on their list have a well-rounded sense of humour right down to the cover art of England Coach Vince Grinstead, some footballs that act as chapter breaks and some quotes on the back cover that are hilarious for those who know who Dennis Wheatley, Genesis and Yes are. The stories form part of a collected works that seems to be of instances, moments that deal with what Staines sees as the real history behind the World Cup in 1970 and other major matches several years after.
What I liked about the stories was the fact they initially transported the reader back to the seventies with mentions of Double Diamond, Brut aftershave, fish & chips and, Satan help me, Pan Books of Horror – remember them? I do. Staines has been clever though, he has charted the journey Vince has gone on from glory to failure and back again by the only means necessary to get his B team to victory. In No Such Thing as a Friendly, Vince takes us through what really happened on the 14th June 1970 while the England “A” team were in Mexico during the World Cup. While the “A” team are living it up in civilized country, the “B” team are in Goboya, an island on the coast of South America with barely a cold pint in sight. A Game of Two Halves has Vince tell the true story of what happened on April 1974 in a match between the USSR Representative XI and their team. Just in case there was any problem winning, they decide to make sure the “B” team are up to the challenge. Here, Vince puts the black into magic. The Ref’s Decision is Final sees Vince down on his luck, his job lost and he is drowning his sorrows in The Smuggler’s Arms. Here, Sir James Bassingron-Smythe makes him an offer he can’t refuse – to take the “B” team back to glory against the Scots. Get Your Fritz Out For the Lads carries on from the previous story where the Scots had smashed the windows of their coach and roll up to a spooky old mansion, hoping to phone for help. It’s one of the best clichés in horror, and one which Richard handles very well.
With a series of comedy horror stories laced with black magic dabbling and fun japes, he has also added the pop culture references of the times. It is a must read for those who remember the good old times of football.
A LITTLE LIGHT SCREAMING by Johnny Mains, Parallel Universe Publications, p/b
Reviewed by Sandra Scholes
There is strange fiction, but rarely do we get to find a writer who challenges what we think about horror as a genre. Johnny Mains stories read like a list of people you wouldn’t want to meet in real life. The third collection of short horror stories, Johnny Mains has his supporters right at the back cover of the book who all pretty much think of him as likely to be sectioned at any moment, yet for him to get to this third collection means he has talent. Johnny has written with other authors, ‘Paintings’ with Simon Bestwick and ‘The Curse of the Monster’ with Bryn Fortey, ‘The Girl on Suicide Bridge’ was nominated for the Best Short Story category of the British Fantasy Awards 2015, and in Johnny’s ‘Author’s Mumbles – Part 3’, he shares with us how he gets his ideas and the writing process he went through that led to its being published. Not since reading musings from Neil Gaiman’s works have I noticed the sheer endurance writers need when their writing is either rejected or changed, or according to the writer, over edited until it doesn’t resemble what the writer intended.
Blossom is one of these stories that is short and starts out with a man who thinks he has the perfect life with his wife and children until a mystery illness shatters the illusion. Johnny intended the story to be a Robert Aickman tribute, but it turned out very different in the last draft. I felt it was one of the stronger ones where the antagonist gets his just desserts, and rightly so. ‘The Case of the Revenant’ is Johnny’s way of paying homage to Arthur Conan Doyle’s Sherlock Holmes, preferring to write about Holmes as Watson can be a little boring sometimes. Set in Austria, Holmes investigates an unsolved case where a family has been murdered. I got the impression Johnny had always wanted to write a Holmes story as so many writers have tried to pen at least one in their lives, though this ends in a much more sinister way than expected.
There are ten short stories here, so I can imagine another anthology coming out at some point soon. Unlike other writers, Johnny makes sure you see the monsters, their evil intent and malice at the very end, rather than a vague image or suggestion of them. Not all the characters have their monsters in their heads and not everyone in the stories are as nice as they appear. Admittedly, there are one or two stories that are deep enough to cause an emotional response (‘Blossom’, ‘A Forest of Lonely Deaths’ and ‘The Girl on Suicide Bridge’).
![]() |
| Cover Art: Jim Pitts |
Reviewed by Pauline Morgan
Often, when an author produces a collection of stories, the majority of them have been published elsewhere either in magazines or anthologies alongside those of other authors. Tough Guys is unusual in two respects. First, the four pieces here – three novellas and one short story – are all previously unpublished; second, they are as different from each other as one might expect in an accumulation of unseen stories. The second is unusual as Cole’s previous collection was Nick Nightmare Investigates (Alchemy Press), where all the stories revolved around the same character and the world he inhabited. As a collection it worked extremely well as Cole won the BFS Award for the book.
Although called Tough Guys, there are some tough women here, too. The first story ‘Wait For The Ricochet’ is another about Nick Nightmare. Here we get an insight into some of his background. He gets a message to visit his old mentor, urgently. Zeff is a lifer in Sing Sing, a place where Nick did three years. Zeff is dying but he needs Nick to carry the information about the hiding place of a powerful artefact to the new keeper of the knowledge. Nick cannot refuse. The task might seem simple but there are others who want the information. One of them, Lucien de Sangreville, is aware that it will be easier the extract what he wants from Nick rather than the person it is intended for. The complication is that the person de Sangreville kidnaps to put pressure on Nick, is the one the information is intended for. Thus, Nick has to rescue him before he can complete his mission. He is aided by Ariadne Caradine, a wealthy woman who readers will recognise form previous Nick Nightmare stories. She elegant, charming and deadly, an ideal partner in this caper. The other important and familiar character is Oil-Gun Eddie. It is him, they need to rescue.
‘If You Don’t Eat Your Meat’ is science fiction blended with horror. At some time in the past the Virus decimated the population. In the countryside, winters are harsh and farmers and their families try to survive anyway they can. The rules the city people live by are often set aside. The narrator, Ryan Blackstone is a teenager in one such family on the edge of the moors. The Blackstones have had a feud with the Tregathick for many years, so when one of the cows goes missing, they are the first to be suspected. Ryan and Wayne, the youngest of his brothers are sent to check. Ryan sees the Tregathicks butchering the cow but is spotted. Chased through the snow drifts and desperate, Ryan kills Jed Tregathick. Since the Tregathicks are eating their cow, the Blackstones eat Jed. The feud escalates from there until Ryan flees to the city. This is not a pleasant story and even though there is some sympathy for Ryan, he does his best to alienate the reader.
Another character you can end up not liking is the narrator of ‘A Smell Of Burning’. The narrator wakes up immobilised in hospital. He cannot remember what happened, or why he is there. He discovers that he can leave his body and his astral projection is able to wander the hospital. Then he realises that he can tune into the thoughts of the other patients. For a while, this is enjoyable. Then he realises that there is a scary dark cloud also inhabiting the plane. He plucks up the courage to find the patient it is emanating from and tunes into the history of a very unpleasant pyromaniac.
The final story goes back to a Nick Nightmare kind of territory. ‘Not If You Want To Live’ also has the narrator waking up in an unexpected place when he thought he was dead. He is, but has been recruited as a Redeemer. As Razorjack his job is to return the soul to the body of a person who has just died so they can continue a productive life. He doesn’t know why these people are chosen – that’s another department. After initial training and a number of field missions, Razorjack is given a more complex task. A member of a group called the Adversaries are upsetting the balance. Razorjack has to trap one of them. He is sent back to live in the real world and await a call. A wealthy man, Silvio Fellini, will ask him to Redeem his wife who died from an overdose. Although Razorjack’s memories of his life up until his original death have been deeply buried, circumstances cause them begin to surface.
Adrian Cole is a skilled writer and all four of these pieces are excellently written. I would have liked the first to be longer, but the length is well judged for the other three. This is a book I can highly recommend.
ENGLAND “B” NINETY MINUTES OF HELL by Richard Staines, Parallel Universe Publications, p/b
Reviewed by Sandra Scholes
Forget what you remember about football back in the 70s, Richard Staines puts the record straight about how the England B team scored their goals. It certainly wasn’t through the team’s rigorous training and fitness regime – it was through black magic.
Parallel Universe Publications are fond of putting out story anthologies they think readers will enjoy as they are original and, at times funny. This one, like many on their list have a well-rounded sense of humour right down to the cover art of England Coach Vince Grinstead, some footballs that act as chapter breaks and some quotes on the back cover that are hilarious for those who know who Dennis Wheatley, Genesis and Yes are. The stories form part of a collected works that seems to be of instances, moments that deal with what Staines sees as the real history behind the World Cup in 1970 and other major matches several years after.
What I liked about the stories was the fact they initially transported the reader back to the seventies with mentions of Double Diamond, Brut aftershave, fish & chips and, Satan help me, Pan Books of Horror – remember them? I do. Staines has been clever though, he has charted the journey Vince has gone on from glory to failure and back again by the only means necessary to get his B team to victory. In No Such Thing as a Friendly, Vince takes us through what really happened on the 14th June 1970 while the England “A” team were in Mexico during the World Cup. While the “A” team are living it up in civilized country, the “B” team are in Goboya, an island on the coast of South America with barely a cold pint in sight. A Game of Two Halves has Vince tell the true story of what happened on April 1974 in a match between the USSR Representative XI and their team. Just in case there was any problem winning, they decide to make sure the “B” team are up to the challenge. Here, Vince puts the black into magic. The Ref’s Decision is Final sees Vince down on his luck, his job lost and he is drowning his sorrows in The Smuggler’s Arms. Here, Sir James Bassingron-Smythe makes him an offer he can’t refuse – to take the “B” team back to glory against the Scots. Get Your Fritz Out For the Lads carries on from the previous story where the Scots had smashed the windows of their coach and roll up to a spooky old mansion, hoping to phone for help. It’s one of the best clichés in horror, and one which Richard handles very well.
With a series of comedy horror stories laced with black magic dabbling and fun japes, he has also added the pop culture references of the times. It is a must read for those who remember the good old times of football.
A LITTLE LIGHT SCREAMING by Johnny Mains, Parallel Universe Publications, p/b
Reviewed by Sandra Scholes
There is strange fiction, but rarely do we get to find a writer who challenges what we think about horror as a genre. Johnny Mains stories read like a list of people you wouldn’t want to meet in real life. The third collection of short horror stories, Johnny Mains has his supporters right at the back cover of the book who all pretty much think of him as likely to be sectioned at any moment, yet for him to get to this third collection means he has talent. Johnny has written with other authors, ‘Paintings’ with Simon Bestwick and ‘The Curse of the Monster’ with Bryn Fortey, ‘The Girl on Suicide Bridge’ was nominated for the Best Short Story category of the British Fantasy Awards 2015, and in Johnny’s ‘Author’s Mumbles – Part 3’, he shares with us how he gets his ideas and the writing process he went through that led to its being published. Not since reading musings from Neil Gaiman’s works have I noticed the sheer endurance writers need when their writing is either rejected or changed, or according to the writer, over edited until it doesn’t resemble what the writer intended.
Blossom is one of these stories that is short and starts out with a man who thinks he has the perfect life with his wife and children until a mystery illness shatters the illusion. Johnny intended the story to be a Robert Aickman tribute, but it turned out very different in the last draft. I felt it was one of the stronger ones where the antagonist gets his just desserts, and rightly so. ‘The Case of the Revenant’ is Johnny’s way of paying homage to Arthur Conan Doyle’s Sherlock Holmes, preferring to write about Holmes as Watson can be a little boring sometimes. Set in Austria, Holmes investigates an unsolved case where a family has been murdered. I got the impression Johnny had always wanted to write a Holmes story as so many writers have tried to pen at least one in their lives, though this ends in a much more sinister way than expected.
There are ten short stories here, so I can imagine another anthology coming out at some point soon. Unlike other writers, Johnny makes sure you see the monsters, their evil intent and malice at the very end, rather than a vague image or suggestion of them. Not all the characters have their monsters in their heads and not everyone in the stories are as nice as they appear. Admittedly, there are one or two stories that are deep enough to cause an emotional response (‘Blossom’, ‘A Forest of Lonely Deaths’ and ‘The Girl on Suicide Bridge’).
Saturday, 7 November 2015
British Fantasy Society reviews of Their Cramped Dark World and His Own Mad Demons
There are two great reviews of my two short story collections, Their Cramped Dark World and His Own Mad Demons, from Parallel Universe on the British Fantasy Society website.
"Riley’s work is classic horror – he doesn’t resort to swearing or unnecessary depictions of torture to attract his readers. His tales are all set in environments that will be very familiar to many Brits – the pub plays a big part in some of his stories. If you’ve not tried Riley’s work before, this is a perfect introduction to his own brand of horror. I can’t recommend it highly enough."
"Riley’s work will appeal to all fans of horror – it feels like “classic horror”, with tales of witchcraft, demons and zombies. All complete page turners, Riley is one to read and return to, again and again."
"Riley’s work is classic horror – he doesn’t resort to swearing or unnecessary depictions of torture to attract his readers. His tales are all set in environments that will be very familiar to many Brits – the pub plays a big part in some of his stories. If you’ve not tried Riley’s work before, this is a perfect introduction to his own brand of horror. I can’t recommend it highly enough."
"Riley’s work will appeal to all fans of horror – it feels like “classic horror”, with tales of witchcraft, demons and zombies. All complete page turners, Riley is one to read and return to, again and again."
Tuesday, 3 March 2015
Goblin Mire reviewed by Simon Ives on the British Fantasy Society website
There's an excellent review of Goblin Mire by Simon Ives on the British Fantasy Society website.
"Had enough of trying to get your brain round the latest sci-fi epic, chockfull of phantasmagoria? The sort that leaves you, well, frankly confused about what you have just read? Then jump aboard this roller coaster of a tale, firmly grounded in old style fantasy and primarily told from the viewpoint of goblins and elves."
Click on this - review - to read the full version.
Trade paperback
Amazon.co.uk £8.99
Amazon.com $12.00
Kindle:
Amazon.co.uk £2.97
Amazon.com $4.50
Monday, 22 December 2014
British Fantasy Society - membership renewed for another 12 months
Well, that's my membership of the BFS renewed again for another 12 months. After a few hiccups, the society appears to be on course again.
Sunday, 21 December 2014
My story The Bequest was Saturday's Advent Calendar offering on the Vault of Evil
Saturday's Advent Calendar offering on the Vault of Evil was my story The Bequest, which originally appeared in the British Fantasy Society's journal Dark Horizons.
Saturday, 4 January 2014
FantasyCon 2014
Well, that's not only the convention booked, but we have also booked our room at the convention hotel for the Friday, Saturday and Sunday nights.
Thursday, 7 November 2013
Just Renewed My Membership of the BFS
For various reasons I was thinking of letting my membership of the British Fantasy Society lapse. It is after all £35 I could easily spend on something else. But, with a new invigorated committee, and some excellent-looking publications only just published, I've given in and renewed my membership for another year. Fantasycon 2014 is in York, too, which is not far away from where I live - and is also one of my favourite cities.
Wednesday, 2 October 2013
Harrassment Policy at FantasyCon 2014
I noticed that the FantasyCon 2014 website has details of a Harrassment Policy. I can't recall ever seeing anything like this on the website (or anywhere else for that matter) for a British fantasy convention before. It's left me wondering whether this is merely a preemptive strike or whether there have been genuine concerns over this issue here in the UK in recent years, even though I can't recall hearing anything about it.
Don't get me wrong. I have no objections to such a policy. In fact anyone who hasn't already adhered to it in spirit, never mind the letter, has no place at a convention so far as I'm concerned. It just seems sad that something about this issue has to be posted on the site. It could raise concerns and maybe even fears about what sometimes happens at conventions to anyone who has never attended one before.
Is this a sign of just where things have been heading over recent years in the wake of so many horrendous disclosures and prosecutions after the Jimmy Saville scandal? Or am I, not for the first time I might add, missing the point?
Don't get me wrong. I have no objections to such a policy. In fact anyone who hasn't already adhered to it in spirit, never mind the letter, has no place at a convention so far as I'm concerned. It just seems sad that something about this issue has to be posted on the site. It could raise concerns and maybe even fears about what sometimes happens at conventions to anyone who has never attended one before.
Is this a sign of just where things have been heading over recent years in the wake of so many horrendous disclosures and prosecutions after the Jimmy Saville scandal? Or am I, not for the first time I might add, missing the point?
All Change at the BFS
It looks like all change at the British Fantasy Society, with a new President in the wings (just awaiting confirmation at the AGM) in the form of James Barclay after Ramsey Campbell's decision to step down earlier this year following many years stalwart service in the role.
The other positions due for election at this year's AGM (which will be held at the WFC in Brighton) are:
Stock Holder
British Fantasy Awards Administrator
Publicity Officer / Events
Treasurer
Secretary
Chair
Of these the Events, Treasurer, Secretary and Chair have all said they will not be standing for re-election, though Lee Harris has indicated that if no one else stands for the position of Chair he will stay on for another year.
Tuesday, 1 October 2013
FantasyCon 2014 - York September 5, 2014
A dedicated website for next year's Fantasycon is now online with details of the hotel, MoC and Gohs.
The venue is the impressive Royal York Hotel.
Master of Ceremonies will be Graham Joyce and the Guests of Honour so far announced include Kate Elliott, Toby Whithouse, and Larry Rostant.
The new venue will come as a great relief to fans from the North of the country after repeated trips to Brighton and the surroundings of the hotel (and definitely the city of York itself) will make an even greater change to Nottingham!
The venue is the impressive Royal York Hotel.
Master of Ceremonies will be Graham Joyce and the Guests of Honour so far announced include Kate Elliott, Toby Whithouse, and Larry Rostant.
The new venue will come as a great relief to fans from the North of the country after repeated trips to Brighton and the surroundings of the hotel (and definitely the city of York itself) will make an even greater change to Nottingham!
Thursday, 11 October 2012
His Own Mad Demons
This is the cover for my forthcoming collection from Hazardous Press. His Own Mad Demons will include:
The Worst of All Possible Places
Lock In
Their Own Mad Demons
The Fragile Mask on his Face
The True Spirit
These were previously published in Houses on the Borderland edited by David A. Sutton for the BFS, The Black Book of Horror and the Fifth Black Book of Horror edited by Charles Black, Dark Discoveries #15 edited by James Beach, and Back from the Dead edited by Johnny Mains.
His Own Mad Demons will be published on the 26th October and be available as a Kindle ebook and as a printed book from Amazon and other online booksellers. Further details later.
Monday, 7 November 2011
The Eighth Black Book of Horror
Another review of this anthology, this time on the British Fantasy Society website.
There have certainly been some varied reviews of this collection, with reviewer's having some widely differing likes and dislikes.
There have certainly been some varied reviews of this collection, with reviewer's having some widely differing likes and dislikes.
Monday, 26 September 2011
BFS Journal
The latest issue of the BFS Journal should be out in the post shortly. This will be the last one in which I'll be editing Prism.
Wednesday, 3 August 2011
BFS Journal - September issue
This will be my last one as editor of Prism, as I'm stepping down after this, having done two years in the job.
This is the cover, the work of Clive Barker.
This is the cover, the work of Clive Barker.
Friday, 22 July 2011
Prism
Nearly got caught out last night. I'd forgotten or missed seeing his earlier email, but David Howe, chairman of the BFS, reminded me that he needed all the material for the next Prism by the end of this month. I thought I had at least another week or so longer than that.
Still, everything seems to be in hand and this shouldn't be a problem.
I wrote back to David to let him know that this will probably be my last Prism as editor as, after two years, I wish to stand down, at least when someone else can be found to take my place, which shouldn't take long. As any regular readers of this blog will know I wasn't happy at combining Prism in with Dark Horizons and New Horizons to form the new BFS Journal. I enjoyed and found doing the layout for Prism extremely satisfying and have missed, ever since the new Journal started, that this creative side of the magazine is no longer in my hands. It has taken a lot of the interest and enjoyment in producing it away from me. The changes may have meant a lot less work, but I'm now little more than a middle man collecting together the regular features and all the reviews sent in by the review editors.
Don't get me wrong. The new BFS Journal has proven to be a magnificent publication and certainly does the society proud. But, from my position as Prism's editor, I feel my job has shrunk to insignificance, certainly compared to what it was, when I controlled the look of the publication and its printing.
Anyway, two years is perhaps a fair innings for the job, and I'm sure someone else will be only too glad to take it on. And good luck to them. I'm sure, whoever it is, will do a fine job.
For me it's time to concentrate on other things, especially writing. And maybe even a review or two.
Monday, 27 June 2011
Paul Mudie nominated for Best Artist - BFS Awards
Paul Mudie, who has done every cover for the Black Books of Horror has reached the shortlist for the British Fantasy Award for Best Artist. Congratulations Paul!
These are some of his covers:
These are some of his covers:
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