I am proud to announce that my daughter, Cassandra's next production at the Civic Theatre in Oswaldtwistle will be The Little Mermaid on the 29th-31st January next year.
The Worst of All Possible Places
Lock In
Their Own Mad Demons
The Fragile Mask on his Face
The True Spirit
These were previously published in Houses on the Borderland edited by David A. Sutton for the BFS, The Black Book of Horror and the Fifth Black Book of Horror edited by Charles Black, Dark Discoveries #15 edited by James Beach, and Back from the Dead edited by Johnny Mains.
The 170-page paperback can be ordered via Amazon.com and Amazon.co.uk. In the US it's $8.09 (with free shipping available) and £5.49 in the UK (again with free shipping available).
Having enjoyed the previous two films of the trilogy, I am looking forward to watching its conclusion with The Hobbit - The Battle of the Five Armies later this year.
Though I've owned the dvds for the entire run of the George ReevesSuperman TV series from the 1950s for a while now, I've only just finished the first, climaxing with a double parter: Superman and the Mole Men, which was the first of the stories to be filmed, originally as a B-feature and as a pilot for the TV series. Although the series at this point was filmed only in black and white, it was quite incredibly good and I can well understand why it was such a hit back then. I have another 4 series to enjoy watching yet, the later ones in full colour.
After the disappointment of the last Mad Max movie many years ago, this looks like a return to the form of Mad Max 2 - The Road Warrior, which was the best of the original three. I just hope the film lives up to the trailer!
Yesterday I bought the kindle edition of Robert Aickman's
collection Dark Entries from Amazon.co.uk. I was surprised to see the
following review of it on the Amazon site. And the reviewer has the
temerity to call Amazon stupid! What reader gives a book a one star
review like this? Unbelievable!
See below. To follow this and the comments that others posted click on this link.
(Update: the link will no longer work as the one-star review has now been removed. I complained to Amazon about it.)
This was the review: "Don't be so damn stupid, Amazon - I only bought it yesterday and haven't finished reading the previous book yet."
The great news is that Johnny Mains' kickstarter campaign to raise £5,000 to publish the Pan Book of Horror Scrapbook has succeeded. At the moment the actual amount pledged stands at £5,756.
The Return David A. Riley Blood Bound Books (November, 2013) ISBN 978-1940250052 $12.99 PB; $2.99 Kindle 272 pp Reviewed by David T. Wilbanks
Gary Morgan is a tough-as-nails London gangster as well as the lead character in David A. Riley’s novel The Return.
After participating in a gangland shooting, with plans to hide out in
his long-neglected hometown of Edgebottom, Gary soon discovers that the
mill town’s bad reputation hasn’t improved at all over the years; in
fact, strange occurrences are on the rise and he finds himself caught in
a situation that gets more bizarre the longer he hangs around. So, with
full intentions of leaving town and lying low somewhere less
threatening, he instead finds himself slipping further and further
toward the dreary town’s evil heart.
The creepy artwork by Andrej Bartulovic on the book’s cover
broadcasts where this one is heading. Anyone with a craving for bleak
crime fiction crossed with the Lovecraftian/occult should enjoy this
well-crafted work of looming darkness. Compellingly, the novel follows
Gary and the local police as they experience what turns out to be
otherworldly mayhem. Pure malevolence, revealed slowly with hair-raising
detail, will keep horror fans riveted as they turn pages toward the
chilling and merciless conclusion. Celebrated British author David A.
Riley has been in the business of writing horror, fantasy and science
fiction for several decades now and this storytelling experience is
reflected in his work. The Return is a grim, bloody book set firmly in the UK horror tradition, and will make a fine addition to any collection.
Pleased to see that my short story, His Pale Blue Eyes, is in Tales to Terrify No 130, narrated by Antoinette Bergin. This story was first published in Bite Sized Horror, edited by Johnny Mains for Obverse Books in 2011 and is also in my collection The Lurkers in the Abyss and Other Tales of Terror.
My daughter, Cassandra is appearing in a new musical, premiering in Clitheroe this August. For those who want to find out more, visit www.stopthetrainmusical.com - suitable for audiences aged 15 years plus due to mature themes and occasional language.
Johnny Mains has started a kickstarter campaign to raise funds to publish a lavish, in-depth scrapbook on the Pan Book of Horror Stories. So far, with 55 backers, he has pledges totalling £2,584. The target is £5,000 and there are another 19 days to go. Whether this figure will be achieved is anyone's guess at the moment, but it is within reach.
I must admit to a bit of a vested interest in this as I was in the Eleventh Pan Book of Horror Stories with my first ever professionally published story, The Lurkers in the Abyss, which went on to be chosen by John Pelan for his two-part anthology, The Century's Best Horror Fiction (Cemetery Dance, 2012). It is also the title story for my collection from Shadow Publishing, The Lurkers in the Abyss and Other Tales of Terror (2013).
If you are interested in this scrapbook being published, just click on this link. Full details are there.
COPIED FROM THE SITE:
"A complete history of The Pan Book of Horror Stories, the infamous anthology series which ran from 1959-1989.
THE PAN BOOK OF HORROR STORIES SCRAPBOOK will be the result of
5 years in-depth research into this series which has haunted and
thrilled me since I was thirteen years old.
Original 60s bookmark
The funds collected for this book will be put towards the following things:
There is still some more research needed and people to interview
Getting a high quality artists to do the book cover and illustrations.
Paying for a professional proof reader.
High-res scanning of artwork, photos, letters etc.
Printing of the actual books which will be to the highest standards available.
The
cult of the Pan Horrors continues to fascinate, more than 55 years
after they were first published and 25 years after the last volume hit
the shelves. This book aims to publish the definitive history of the
series, its editors, its authors - with as much information and
paperwork that I've been able to gather together since 2009.
I've
still got a lot of work to do on it, so have given myself the
publication date of December 2015. It's a bit of a wait, but I'm working
on this on my own, and have a full time job plus editing the Best
British Horror series for Salt Publishing.
I'm the only person I
know of bonkers enough to attempt a book such as this, and the main
reason I want to do it is so I can be the first person to read it!
This
will be a book for any fan of horror, its authors, the history of
publishing, social history in a wider context and how a gentleman called
Herbert van Thal created a series of books which has been ingrained
into the national psyche."
We now have the final artwork for Charles Black's story collection Black Ceremonies, courtesy of the artist Paul Mudie. This will be published by Parallel Universe Publications later this year as a trade paperback.
It's been a busy weekend, starting Thursday night. My daughter's drama school, ReAct, were performing High School Musical at Oswaldtwistle Civic Theatre Thursday night, Friday night, Saturday afternoon and evening. Lin and I were working front of house on each of these performances, Lin selling programs while I handled the raffle. We also watched every performance. It says something about the standard of the kids on stage that we enjoyed them all, especially the final night. They were tremendous. Some great singing, brilliant performances and an unbelievable amount of energy!
Sunday was our daughter, Cassandra's 30th birthday, which we celebrated with a family meal out at the Red Lion in Blackburn.
The birthday card and cake that my wife Linden made
Parallel Universe Publications is now accepting submissions, either original or reprints, for an
anthology of stories inspired by the classic British cinema/theatre
phenomenon known as kitchen sink drama.
What Culture
described it as: "A determination to examine the lives of the working
and dispossessed classes in a non sentimental way...The movement began
in the late 1950s and has survived to this day with the oeuvre of Ken
Loach and films such as Nil By Mouth. Tackling thorny themes is a trademark of the Kitchen Sink drama.
Abortion, divorce, homelessness, single motherhood, inter racial sex,
poverty and homosexuality were all ripe topics to be examined. There was
also the advent of The Angry Young Man – usually working class men
railing against everyone and everything."
That fount of all knowledge, Wikipedia, describes it as: "a term coined to describe a British cultural movement that developed in the late 1950s and early 1960s in theatre, art, novels, film and television plays, whose 'heroes' usually could be described as angry young men. It used a style of social realism, which often depicted the domestic situations of working-class Britons living in cramped rented accommodation and spending their off-hours drinking in grimy pubs, to explore social issues and political controversies.
The films, plays and novels employing this style are set frequently in poorer industrial areas in the North of England, and use the rough-hewn speaking accents and slang heard in those regions. The film It Always Rains on Sunday (1947) is a precursor of the genre, and the John Osborne play Look Back in Anger (1956) is thought of as the first of the idiom.
The gritty love-triangle of Look Back in Anger, for example, takes place in a cramped, one-room flat in the English Midlands. The conventions of the genre have continued into the 2000s, finding expression in such television shows as Coronation Street and EastEnders.[1]
In art, "Kitchen Sink School" was a term used by critic David Sylvester to describe painters who depicted social realist-type scenes of domestic life.[2]"
We look forward to tales of darkness and horror, of the supernatural and
the weird within the overall framework of the social realism of the
kitchen sink drama.
Please send your submissions to rileybooks@ntlworld.com headed "Kitchen Sink Gothic" as an attachment in either doc or docx. We
welcome either new stories or reprints. If a reprint please add details
of previous publication. We have no firm maximum length though
obviously the longer the story the better it will need to be to be
accepted.
Payment will be £5 per thousand words and a contributor's copy of the book.